Workbench with cork pieces, tools, gloves and working materials.

Working cork: from slab to shape

I work cork by hand, piece by piece, and make my models in small batches. Before cutting or shaping, I select the material for the qualities and characteristics best suited to each product. That choice guides the whole process, from slab to finish.

Selecting cork for each product

I look for the combination of thickness, density, colour and texture best suited to the model's function and dimensions. I observe the slab or fragment and decide which areas to work. In small batches, I prepare each item individually, aiming to maintain the intended function and dimensions. For one-of-a-kind pieces, I allow the material's contours to guide the work.

Cutting, carving and shaping

I use different tools according to the piece and the shape I want to develop. Cutting, carving and lathe work are among the processes I can use to shape cork.

I guide each stage by hand, adjusting the cavity and contours while observing how the material responds and how the piece takes shape.

A lathe in the workshop surrounded by cork fragments, pieces and shavings.
The lathe and pieces being prepared, recorded at another moment in the workshop.

Respecting differences

Natural marks help give the result its character. Even when I work from a model, colour, texture and porosity vary. I aim to preserve this relationship between handwork and the material.

Experimenting to find a solution

Trials are part of my working process. I test cuts, cavities and fittings, observe the result and make the adjustments needed to achieve the intended shape and use. Each experiment helps me decide the next step.

An experimental cut showing concentric circular cavities in a cork piece.
A trial of circular cavities: a record of experimenting with cork.

Discuss a piece or a bespoke project.

Text revised on 31 October 2026. Photographs from different moments of working with cork.

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